Tag Archives: creative writing

NaNoWriMonkey – Follow-up Reflections (Finally!)

Just over a month of recovery has transpired since my NaNoWriMo burnout. Like a Roman candle, the concentrated spew of writing was glorious, dazzling my eyes with a populated computer screen after a long stretch of spark-less procrastination. And then November ended and fffffzzztt. So did the writing. For the most part. Just like legs need a rest after a marathon, I needed to retrieve my eyeballs and fingers from where they’d fallen off onto the keyboard and step away from that project for a bit.

In the meantime, I’ve been tweaking my first manuscript and rewriting query letters over and over again to get ready for a much-delayed round of submission. I also headed Stateside for another two weeks for Christmas, which was crazy-busy but magical, just like the Disney trip before that. :) Anyway, I’d promised to follow up on my NaNoWriMo experience, so let’s get on with it.

Writing 50,000 words in one month is a concept that makes folks wary, and understandably—for years I assumed it could only generate pure and utter crap; good writing is not to be rushed. But now having gone through it, there’s no question it was a useful exercise that I highly recommend, and here are some reasons why:

1. NaNoWriMo was like a writing enema. I’d been stopped up for a while in that respect, sitting on a story outline I’d completed in spring only to sputter out one chapter in summer and jack until November. It was shit-or-get-off-the-pot time, and NaNoWriMo was precisely the initiative I needed. So, to run with my disgusting metaphor, even if a lot of my massive brain-dump was crap, it was purifying to get it out of me. I did have an outline to keep me focused, but I think if you’re still in novel-brainstorming mode, it’s a perfect way to write your way into a storyline to run with beyond NaNoWriMo.

2. NaNoWriMo gave me discipline. For as much as I’ve preached on this blog that writing is a discipline, I still tend to fall in with the “I write when I feel like it” crowd. It’s incredibly difficult for me to establish routine in my writing, so having that NaNoWriMo goal was such a motivating force. Not only did my profile stats continually calculate how many words I had to average per day based on my actual pace, but punching in my new word counts and watching those bars climb on the chart was immensely satisfying. It pushed me each day to stick to a daily word goal and punch out a few more sentences just when I thought I had no words left in me. Contrary to such doubt, there’s always more waiting in the folds of our grey matter.

3. NaNoWriMo pushed me out of my comfort zone. There’s obviously no hard-and-fast “right” way to write. Some writers vomit out their stories first and revise later, and others revise as they write. I trend toward the latter category. It has merit, but I found it worthwhile to try a new approach, and the result broke some bad habits I’d naturally fallen into. One of the major flaws of my first manuscript was that its early drafts were overwritten. I pored way too much over every word and sentence and stopped writing new material in favor of revising finished chapters to death first. The writing needed to relax, and, what’s more, I hadn’t mapped out that entire story yet. To so painstakingly revise early chapters when I still had no idea where the later chapters were going was just stupid. It was only when I’d finished drafting the entire story that I realized what needed to change at the beginning to improve consistency. So, not only did I outline my second manuscript beforehand this time around, but NaNoWriMo forced me to keep driving this story forward and not complicate phrasing through over-thinking it—there simply wasn’t the time to. It’s not as though I had no opportunity for some thoughtful wordsmithing, logically thinking through plotting, or researching to enrich descriptive detail and authenticity. I simply mean that, overall, I had to write more off-the-cuff and to-the-point than I’m used to, a risk my writing in particular really needed to take.

4. NaNoWriMo powerfully immersed me in my storyworld. Curling up with a single story for so many hours of the day every day was the deepest sea-diving into my imagination I’d ever done. I was truly married to my characters, setting, and situations at that point; the level of commitment was tremendous when I promised to come back to them every day, and the short gaps between bouts of writing ensured I never really loved ‘em and left ‘em. It’s essential to at some point step away from a story and come back to it with fresher eyes (as I’m doing right now), but the benefits of sticking with it for better or worse in November included seeing my storyworld more vividly and improving its continuity—I remembered details more clearly and strung them together more efficiently since they were written only a matter of hours/days apart from each other.

5. NaNoWriMo was P90X for my brain. In view of all the aforementioned, my mind clearly got warmed up and broke a sweat trying to keep pace with my required daily average word count (~2,700/day thanks to my late start). The mind is a muscle, after all, and it needs to be flexed in order to grow. Pushing yourself to go as far as you can one day will strengthen you to do the same if not more the next. And haven’t you found that the more you exercise, the more you want to? In the same way, NaNoWriMo energized me to the point where I wasn’t writing because I had to. I wanted to. I honestly woke up every morning excited to get back to my computer to research and write.

Granted, there’s no way I could’ve sustained the intensity of NaNoWriMo beyond that month, but I do think the lessons it taught can be applied in realistic doses going forward on my project. I went into it with 10,000 words, came out with 60,000, and estimate I have about 15,000-20,000 more words to go until my first draft is finished. There’s no question I’ll have to revise the hell out of it, but I definitely don’t discount the earnest progress I initially made on it in a very, very concentrated amount of time—I think (*hope*) going into NaNoWriMo with an advance, focused vision of my story optimized how many of those 50,000 words actually have a shot at remaining in the final draft…the major ideas at the very least.  I tried my best to work smarter, not harder, so we’ll see one day what I have to show for it. :)


And now a word from our sponsors…

* * BEEEEEEEEEEEEEEEEEEEEEEEEEEEEEP * *

This blog is temporarily on hiatus.

The Primate was at first preoccupied with October travels,
and now with November NaNoWriMo.

(see sidebar widget to track my progress…
…and have mercy. I joined 12 days in.) 

Please stay tuned for The Fallen Monkey’s winter season line-up, though, when it returns to its regular schedule.

Same Monkey Time. Same Monkey Channel.

*


On Priorities, Parks, Parents, and Publishing

Yowzah. Sorry I fell out of the tree again. These have been weeks of prioritizing, and unfortunately if I’m to make any blogging a priority, it’s gotta be the one I actually get paid for. :) In the meantime, while I haven’t been the most attentive commenter on your blogs lately, I’m glad to see you all are keeping busy and doing well, too!

I do finally want to pop in this week, though, before going on hiatus yet again. I’ll be heading Stateside in a few days for a brief visit to my sweet home Chicago before then undertaking the grand road-trip with my parents to Orlando for our big family Disney World vacation three years in the making. We made this pilgrimage many-a time as kids, but we started the tradition of returning with spouses and grandkids ten years ago. This is the first time since that all of us siblings are able to make it again. So factor in me, me mum and dad, two brothers, one sister, two sisters-in-law, one brother-in-law, six nephews, two nieces, and my brother’s parents-in-law, and our grand total is nineteen. Could be an even twenty if my husband’s eleven weeks of grad school this year didn’t suck away all his work holiday and then some. :( In any case, leave it to my parents to be the only ones choosing to drive, so I’m making the journey with them to help out—they’ve had a rough year of health issues, and it’s the least I can do when I’m otherwise missing out on everything, the bad and the good, while living abroad. Time to shift my priorities to others, finally.

And who am I kidding. I love this stuff. Fire up the Family Truckster! Cracker Barrel, here we come! Marty Moose! Marty Moose! Marty Moose!

This is no longer a vacation—it’s a quest. It’s a quest for fun.”

In literary news, where my freelance editing work goes, I’ve wrapped up the developmental edit of a very fun YA paranormal novel so will await whatever the managing edit may throw back our way. And the second novel I’d edited has just been published! The author has been making a great effort at social media, so it looks like it’s doing well so far. Three-for-three wonderful authors to work with [knocks wood for next time]. And as for my own manuscript, I’ve been revisiting ms #1 after some time away from it and reckon my next step is consulting with a professional editor—I’ve been really envying the process I go through with my authors and would like to see my story get all buffed-n-polished, too. Regardless, I need to get more momentum behind that one; I admittedly haven’t been trying very hard to query. Dare I say it, I think I’ve settled into contentment with just the process of bringing it into being—I’ve entertained the hell out of myself!—so, where priorities go, getting it published has almost come to feel secondary. Or is that what all the unpublished say when they’re in massive denial? ;)

In any case, I’ll try to pop back at least a couple more times this week before the *Disney magic* beckons me…


War of the Worries and Warm Fuzzies

Just an utterly random post when I should be working to generate new creative material, but alas, my stomach is flipping and expanding and contracting right now with a frantic brawl going on in there. No, I didn’t eat too many beans. As my title says, the contenders in this ultimate cage match are:

Worry VS. Warm Fuzzy

I’ve always known myself to be riddled in dichotomy, and at this moment in time, the conflict has entered my emotional realm. I’ve tried to shake some of it out of my brain, which then trickled to my heart, which doesn’t want to deal with it either, so it’s all been kicked to the curb and plummeted into my belly. It’s nauseating. But let’s get on with it.

“In this corner, we have Worry! Brought to this ring thanks to unsuccessful queries and the usual insecurities that plague a first-time writer!”

Worry clasps its hands and shakes them above its head as though already victorious. The crowd boos and hisses. Empty and crushed cans of Schlitz fling into the center of the ring along with the errant tomato that accidentally takes out the bikini-clad model who was about to hold up the “Round 1″ sign.

“And in this corner, coming all the way from the empathic people whose opinions matter an endearing amount, ladies and gentlemen, we give you—Warm Fuzzy!”

Whistles and cheers and feet drumming on the floor fill the arena as Warm Fuzzy bashfully hides its face behind boxing gloves. Chocolates and flowers sprinkle the ring.

With my unfortunate front-row seat, I sit here in as much anticipation as the crowd as to the outcome of this match. For you see, my morale is a little depressed as a result of this submission process. I know it’ll pass, that regardless of the rejection that comes, I’ll stand straight, relax my shoulders, stretch my fingers and get them typing about alternate realities once again for the sheer fun and love of it. But not yet, I guess. What’s enveloping me in comfort and giddy flattery in the meantime, however, are the thoughtful, encouraging words of those who know me personally or perhaps just as the Monkey…including two that have recently bestowed sweet recognition, so I thank you, Nicki Elson (Not-So-Deep Thoughts blog) and Milo James Fowler (In Media Res blog) for the Stylish Blogger and Write Hard nods, respectively. Any positive words are for certain taken to heart at this time :) .

And so, in return for both of the above (which have been added to my blog award trophy case), I share my 7 random things here and pass the Write Hard torch (see rules here) to other writers who should receive it if they haven’t already:

1. Nicki Elson at Nicki Elson’s Not-So-Deep Thoughts

2. Eva at Write in Berlin

3. Tahlia at Lethal Inheritance

4. Cities of the Mind

5. Ollin at Courage 2 Create

6. Glen at Glen’s Life

7. Melissa at Blame it on the Weatherman

Each of the above (and Milo, I hope you realize you’re likewise included in these sentiments—you, too, Alannah, when you’re back to blogging again) continue to be so honest about their writing processes, sharing the ups and the downs as well as take-away advice for how to stay on the up with one’s writing. They’re perseverant, prolific, and have provided me with thoughtful feedback. I appreciate the time they take for—and the interest they take in—me and reckon with this backing, no matter how much of a deflated nerd I may feel at times, I won’t go down without a fight.

DING!



Leggo My Ego

I am a sensitive artist.
Nobody understands me because I am so deep.- King Missile

I can’t help it
Because I am so much more intelligent
And well-rounded

Than everyone who surrounds me. [...]

I stay home
Reading books that are beneath me,
And working on my work,
Which no one understands.”

Yep, there are a lot of divas out there like this, particularly among those of an artistic temperament, so we writers are no exception. Well, becoming a teacher certainly knocked any such pride out of me, reducing me to such a state of humility on a daily basis that I finally learned it’s okay to admit when I don’t know something. No one could know all information, master all skills, and we certainly won’t grow in any respect until we can learn to acknowledge our limitations and accept help from others. 

That’s what I’ve been enjoying so much about the blogging community I’ve shared in for the last year—aspiring writers who are proud of their work, yet willing to put their vulnerabilities and uncertainties out there in their blog posts for all to know and empathize with. By doing so, we’re learning and improving. We also learn and improve from having our work critiqued, be it by peers in a writing group, an informal beta-reader, editor/agent feedback, etc. When taking on such a personal task as writing that inherently possesses so much passion, however, it can be difficult to accept criticism of our babies. What we write is who we are, and who likes hearing that they’re anything less than perfect? I’d say not a single one of us, if I were a bettin’ man (or a man at all, for that matter).

Yet take it in stride we must. It’s hard to control how another will respond to our work, but we can control how graciously we respond to their feedback. I love the tale I’ve written and certainly want to retain ultimate creative license, but as agent rejections already start rolling in (2 so far), I understand that there will always be something to adjust. And in this case I just hope I can handle it as gracefully as the author whose work I’m presently editing. I just got her edits back, along with this lovely email:

“I must say, your editorial was wonderful, so user friendly and in tune with what I was aiming for and didn’t quite reach.  I particularly appreciated how you explained why certain patterns weren’t working or how they could work better.  I believe that your input will benefit my future writing as well, and not just this work. [...] I did take your suggestions to heart, and I’m pleased with the result. Really, your editorial was invaluable. I’m looking forward to your opinion of the revised work.”

Not that I’m letting this go to my head ;) …but it was an inspiration, not to mention such a relief! So time now to get over myself and help this author reach her personal best. Ego begone! But confidence, stay.

How about you? Has a dose of humility ever caught you getting a bit too stubborn during the writing process? How do you know when to assert what you believe are your strengths and when to concede your weaknesses?


The Red Pen: Editing Another’s Manuscript – Part II

Hello again! Just accommodating the overspill from yesterday’s post, as I yet wanted to address developmental edits on my first manuscript assignment in this capacity. Again, I can’t share any comments that would give away plot/character specifics, and I’m obviously not including the little microediting minutiae here (like reworking sentence structures), but what I am doing is grabbing the meatier highlights of what I found to be the most prevalent issues in the hope it helps reinforce what to check for in your own manuscript as it did for mine.

So to speak on a macroediting level today, this author’s main focus now as she makes her edits (due back to me later this month) needs to be on her ending. We’ve talked story arc before, and a scene after a critical moment of rising action in a later chapter seemed to drag out too long as the reader nears the story’s climax, for which I noted:

[...] I’m not suggesting cutting these parts out, as they serve a purpose in the story and provide important information. Yet perhaps if they’re condensed a bit the pacing could keep flowing toward that climax. What’s key is to determine what you perceive as this story’s pinnacle and make sure everything is building up and up to that, keeping the reader compelled and not bogged down in too much talk or description that tends to flatten out the story’s trajectory when it should be climbing. Dialogue can be [tightened], limiting it to what keeps moving [the characters] and the reader forward.

And whereas that section seemed to drag on too long, the last chapter forced too much into too short a space in seeking a complete resolution. This is a romance novel, so that resolution naturally involves the two main characters attaining closure on where their relationship stands:

Hm, this sounds like a lot to load onto [him] all of a sudden [...] when they’re only just working out whether they’ll stay together. I know in assessing that they may as well get all the big deal-breaker topics out of the way, but it still seems like a lot at once. Could she possibly just reference [her wants] in such a way that’s meant to show [him] she’s in for the long-haul with [him], too, in the spirit of taking it one step at a time?

And with romance novels, there’s always the risk of confusing “romance” with “sex,” so when the latter comes up (“up,” quite literally) right at the end and after a sweet moment of sentiment, I suggested:

Hm, seems to undermine the sincerity of the emotion. Maybe [this] can just be coinciding with his revelations of love for her, helping to unleash these realizations rather than being the way he chooses to show her his love after the fact (it’s a little caveman). Some description of her engagement with it might help as well to show this love as something they share in both the emotional and physical sense.

I expressed this merely as my reader’s POV, and not as a prude or a feminist. There’s a way sex can be written romantically, but this just wasn’t it, and I think the author agrees that the resolution can take a less easy, but higher road out.

Another item on the agenda is character development, and, in this work, I felt the two main characters were developed fully. I genuinely liked them and, from the romance aspect, really wanted them to get together—they made sense as a couple. Most importantly, I believed in them—they felt real, through their dialogue, actions, back-stories, chemistry, etc., and that’s all to the credit of this writer and her keen insights into people and engaging writing style. Where I did encounter some mixed feelings concerned the female protagonist and her ex-lover, a secondary character who is integral to the plot and the protagonist’s growth, yet himself appears very rarely in the story. Even so, his development felt too one-dimensional to me:

He is just so vile, and this makes perfect sense given his animosity toward [her revenge] and that he’s just a bad fit for her. What it leaves me wondering, though, is what it was about him that she used to care for. While I can see her insecurities leading her to choose the wrong men, [she] also has too much substance to go for someone with zero redeeming qualities beyond the materialistic.

Not that this would have to be developed in depth, but consider such opportunities where she’s [already] reflecting on him to somewhere incorporate (even just a sentence or two) the appeal he did once have for her, even if it only ended up being fake or that he changed.

In this case, the secondary character’s lack of believability could impact the protagonist’s, so this was a strongly suggested change to preserve consistency in her character—and, even better, it’s a quick, easy fix. Likewise with the following case where the protagonist still seemed to pine over her ex during the final scene with her new love:

From the way you’ve depicted him, I’m highly doubting [her ex-lover] would ever want [what she claims here], so I don’t see this as being the issue with him that would come to light at this point. I’m actually surprised that she’d be talking about him at all right now and getting choked up in residual emotion over it – [there was] sufficient enough closure [earlier]. Plus, she just [made several  grand gestures to win her new lover]—she’s all about [that guy] right now, and it doesn’t seem appropriate for her to bring up old flames in this intimate setting. [...] Her not reflecting on him as anything that ever mattered would be a most convincing way of [showing her growth].

But that’s my take on it, which is why I label this as a “suggested” change, albeit a very strongly suggested one because I felt disappointed in [her] when she started saying all this.

And this last comment shows how I do try to approach my edits of another’s work delicately, keeping ultimate stylistic/plot control with the author while also trying to earn trust in my feedback. It’s very easy for all of us to get protective of our writing, but if we really want it to become its best, we need to consider reader response seriously. (Tahlia Newland addresses this fact and several other awesome tips on ms revision in her recent Lethal Inheritance post on how to know when your manuscript is ready.) And as I learned in teaching, the key with feedback is balancing the positive with the constructive so a writer isn’t feeling like there’s nothing of merit in his/her work; be honest, but preserve some pluck for carrying out those revisions effectively!

How about you? Have you ever had to edit someone else’s writing? How did it help you with your own?


The Red Pen: Editing Another’s Manuscript – Part I

As a new year is about making resolutions, I realized there are still a couple promises from my November I.O.U. that I haven’t yet fulfilled. So let’s tie up those loose ends!

To start, I owe Milo from In Media Res 10 random things about myself, which can be found at this link (’cause you know he’d send a guy to break my legs if I didn’t make good on that).

I’d also meant to share some of my editing notes on a manuscript that shall remain anonymous, so to the extent that I can do so without giving any specifics of the story away…

On a word level, I provided a list of frequently-recurring verbs/adjectives and noted:

Would be worthwhile to scan and determine how you might replace them with synonyms here and there for variety, or possibly eliminate altogether in the event the characters’ actions and/or dialogue already convey the same idea (thereby making description redundant). They’re great words that make description vivid, but because they stand out, their repetition is less invisible.

Try to reduce use of dialogue tags to when it’s necessary for identifying the speaker. Especially avoid overly descriptive ones – show tone instead through the dialogue itself or the character’s actions. In most cases, “said” is best, as it’s invisible to the reader.

I likewise advised on minimizing adverbs and “to be” verbs—the former “tell” more than “show,” and the latter slow down pace and sound a bit more passive. Where description was concerned, the issues that stood out most were telling-versus-showing, redundancy, and certain physical descriptions that ran too specific and frequent:

While you have an effective way of threading description through dialogue, sometimes that description can be condensed together rather interrupting the flow of the dialogue multiple times. Seeking opportunities for this will enhance the pacing and snappiness of your characters’ great dialogue rather than bog it down.

Just to interject another comment on adverbs and other description accompanying dialogue – think of how certain messages/attitudes/etc. might be conveyed through the characters’ dialogue or actions for the reader to figure out rather than be told outright. [Sometimes] it can make the reader feel like a detached third-party rather than in on the action. I definitely feel pulled into this story, but teeny moments like this can sometimes remind me that I’m reading something rather than “living” it—almost like little road bumps that interrupt an otherwise smooth experience.

And it’s not always about replacing description with description—it can be taking some description away altogether.  Your characters share such witty, snappy banter, that it may at times feel appropriate to just let them talk with minimal interruption. For example, if this first sentence of the paragraph was taken away, I would still catch on to [Secondary Character]’s displeasure and coolness by virtue of his brief first sentence and shift [in dialect].

Reduce level of description for secondary characters that do not recur. This draws attention to [Secondary Character] and makes me think I should know her well, yet she never reappears later.

Sometimes these color and make/model details seem superfluous. We see [Main Character]‘s truck play an important role later, but [Secondary Character] and anyone else’s vehicles don’t really matter to the story.

Then there were structural considerations on sentence, page, and chapter levels:

Consider breaking down some paragraphs with embedded dialogue [...]. It creates more white space to quicken the conversation’s pace and allows the reader’s eyes to “breathe.”

[T]he description of one character embedded with another’s dialogue sometimes makes it confusing who the speaker is. Sometimes, perhaps, a description like this could skip to the next line, provided the continuing speaker is tagged.

To enhance flow, perhaps join these two [simple] sentences using a semicolon or conjunction.

Section break to accentuate passage of time and shift of focus to [another character].

Basically, I proposed many paragraph breaks to not only help break up clunkier sections, but also separate dialogue from descriptions that didn’t correspond with it. My suggested section breaks not only helped to denote shifts, but also provide a breathable white space and prevent a chapter from becoming the structural equivalent of a run-on sentence. And in a couple cases, I recommended converting a section break to a chapter break—in the case of the very first chapter, doing such preserved the opening momentum as the second section was rather lengthy.

Such are just a few examples, but what all the edits peppering that manuscript boil down to is clarity and consistency.

This has gotten long, so I’ll save my two pence on the more developmental edits I made for tomorrow. Ta!


Looking Back & Flying Forward

Happy 2011! The past year has added another ring to the trunk of my tree, and as I trace a finger around the circumference of bark, I’m elated to be looking back on a year of frolicking, friendship, and focus, an enchanting year of feeling more at home overseas and in my new freelancing capacities, while still basking in the joy of home-home periodically—this last visit being an especially candy-coated one of icicles and white Christmas lights glowing from beneath inches of snow, of attending Nativity plays, marveling over how a bee could have stung my niece inside the house in December, hearing an older nephew’s voice deepen, and initiating a younger one into our Finer Things Club on the basis of his Harry Potter knowledge…of laughing with siblings, savoring parents, celebrating with in-laws, toasting with friends, and sharing chocolate fondue with several former students at the quaint café where I used to grade their essays :) .

And, of course, it was a whooping, whirring, sometimes wilting, but always whimsical year of writing, but one that has now gotten me prepped for the humbling undertaking of querying and thrilled to start up new projects. Time to get warmed up, then…time for this monkey to fly.

The Prompt:

Today, page 44 of Room to Write asks us to write about flying—how it makes us feel, where it takes us. As an alternative, we can perform a free-writing by starting with the word “flying” or “wings.”

Response:

Flying these days inevitably makes me think of airports and how such places that used to represent adventure and freedom have now come to mean “goodbye.” There’s still anticipation in it, still excitement in it, yet somehow I also worry that with every new flight I take, the world becomes less unknown and more trodden. Nevertheless, flying is still my gateway to other perspectives, other features, other values, and flying is what will bring me to my 6th continent next weekend and allow my greying UK-ified skin to gulp up some Vitamin D. Flying is soaring, feeling the air rushing against my face as my heart rises into my throat and my stomach sinks to my bladder or clenches at my spine, it’s loop-de-loops and spinning spirals, then having to peel the cape off my face. It’s Peter Pan, it’s Superman, it’s the birds that escape the pavement and the predators and sing me out of slumber. Flying is icy pressure beneath my fingernails as they pierce the air and a tickling tug at my toes as their wake sucks a vacuum into being. It’s hearing the crackle of joints as my wings finally unfurl and spread out in a stretch that luxuriously takes my breath away before expanding my lungs with cool purity. Flying is connecting, an efficient means of traversing the distance between A to B or of ascending from thoughts to ideas, information to knowledge, sense to sensibility, for even when not stepping onto a plane, it is only opening a book or reading an email from Mom or closing my eyes atop a pillow that yet makes me fly. Flying is high-speed, forward-moving levitation, or it’s the freedom of imagination I enjoy while never feeling more grounded.

Reflection:

BeezArtist.com

I didn’t do a full-on free-write without stopping, but I did let my thoughts meander wherever they fancied sentence by sentence. No surprise that, being between a recent and upcoming plane trip, the word first took me to modern air transport, though it still didn’t take long to get to the actual action at hand, physically and metaphorically. Not my most creative effort, but a productive enough burst before bedtime to motivate me to wake to a day of more fruitful word-weaving tomorrow. I think when I found my mind wasn’t fully taking flight by writing tonight, it started yearning for a book—someone else‘s writing :) . Fair enough. We become better writers by reading as well, so time for me to check-in (i.e., get in my PJs), get my boarding pass (grab my novel), check my bags (ditch any emotional baggage at the bedroom door), board my aircraft (climb into bed), switch on my reading light (uh, that’s really the same thing in both scenarios), and get ready for take-off!


WordPress Picked My Fleas – 2010 in Review

The stats helper monkeys [FaMo's Note: I swear this is their phrasing, not mine...as much as I love any chance to exploit my theme] at WordPress.com mulled over how this blog did in 2010, and here’s a high level summary of its overall blog health:

Healthy blog!

The Blog-Health-o-Meter™ reads Wow.

Crunchy numbers

Featured image

A Boeing 747-400 passenger jet can hold 416 passengers. This blog was viewed about 4,500 times in 2010. That’s about 11 full 747s.

In 2010, there were 86 new posts, not bad for the first year! There were 102 pictures uploaded, taking up a total of 20mb. That’s about 2 pictures per week.

The busiest day of the year was August 6th with 101 views. The most popular post that day was The FaMo Awards.

Where did they come from?

The top referring sites in 2010 were blogcatalog.com, twitter.com, milo-inmediasres.com, WordPress Dashboard, and nickielson.com.

Some visitors came searching, mostly for the fallen monkey, fallen monkey, back to the future polish, cluedo, and cluedo board.

Attractions in 2010

These are the posts and pages that got the most views in 2010.

1

The FaMo Awards August 2010
19 comments and 1 Like on WordPress.com,

2

Monkey with a Mission January 2010

3

Human Persona May 2010
2 comments

4

The Shotgun-Shack Story: Nowhere to Hide August 2010
21 comments and 2 Likes on WordPress.com

5

If Truth Be Told… August 2010
22 comments and 3 Likes on WordPress.com

[FaMo's Note: Well, guess I'm glad I used that Clue board photo in my "The Kitchen Culprits" post to get those Google referrals :) . Am also amused that people have directly searched for me, unless I'm intercepting visitors for another fallen monkey out there...that poor, forlorn creature laying in the grasses somewhere for someone to see it has fallen, while instead they read my nonsense...At any rate, cheers to Milo and Nicki as well for the referrals! I had a hell of a fun year picking the grey-matter lint from the folds of my brain and piling it up here and look forward to more in 2011! Thank you, dear readers, for stopping by my tree.]


Swinging Into the Christmas Tree…

I’m going to be swinging from a looong vine tomorrow that’ll land me in arctic Chicago. My visits home are always filled with monkey business, but I’m hoping to still curl up at my parents’ labor-of-love dial-up internet connection and play with some writing prompts like I’ve wanted to for a while—very excited to generate new material of any sort after the long process of revising the same work.

No updates on that project in the meantime. I’ve submitted to two independent publishers so far, one in the US and one in the UK, so that I can go into the next two weeks of festivities with some semblance of peace of mind that’ll enable me to just play for while. On my return, I’ve got two US literary agents on my list to query as soon as their holiday hiatuses lift. And then, *gulp*, I’m going to attempt the challenge that brave Mister Milo has set out for aspiring writers: Write 1 Sub 1, for which we write one story and submit one story every week of the year! (I believe he and his partners-in-crime are offering a monthly variation, however, of which I think I’m going to take advantage). Microfiction counts, so I’m excited to monkey around with that again.

All this said, I’m pooped…and I haven’t even flung any yet today. Time to climb my tree and rest up for the big swing tomorrow morning—I love this time of year when I get to live in a Christmas tree, though I always get in trouble for eating and/or throwing the ornaments.

Happy Holidays, my lovelies!


Follow

Get every new post delivered to your Inbox.

Join 199 other followers