Well, it’s April, and the Monkey has climbed back up its tree. The branches up here are budding, and I’m likewise hoping to turn a new leaf and make this spring a productive one of blogging and creative writing. Until now, travels, hosting, and craploads of editing have derailed me; I recently finished my first freelance edit and am presently juggling two simultaneous manuscripts for the publisher. Having to donate my eyes and brain to others’ work makes it difficult to write my own stuff, but it’s always a learning process and always satisfying to at least be working on something that’s getting published.
In any case, last August when I’d found myself in a similar predicament, I’d whisked myself away to Cornwall for a solitary writer’s retreat (“A Cage of One’s Own“). I found myself doing more hiking there than writing, but even that activity was steeped with literary inspiration. I was walking in the footsteps of British author Daphne du Maurier and her characters, you see, and learning a great deal about how a writer’s environment can effectively influence the settings of his/her stories. I’d promised way-back-when to blog about this and totally flaked out, but now I really have no excuse considering I just returned from an Easter holiday weekend spent at the very same location in the very same room-with-a-view! I brought my husband this time so he could also hike the trails and find much-needed respite after completing one hell of an intense graduate program. Thus, ’twas a time of needed togetherness, not for me to go all reclusive-artsy-fartsy and climb into my turret to write.
Yet the breezes off that dynamic coastal landscape still carried the sweet inspiration of Daphne, so, starting this week, I’ll finally share with you my summer photo-journey of the real-life settings featuring in so much of her work. du Maurier lived in three homes between Par and Fowey (Menabilly, Kilmarth, and Readymoney) that were not only the places where she wrote, but also where she wrote about. Menabilly and Kilmarth housed her characters as well, which I find really validating considering my own two manuscripts are set in actual apartments I’ve lived in. I at first viewed that as a rookie comfort-zone, writing-what-you-know in the extreme, but the fact is, my stories are set in these places because these places—their distinctive features and histories—are what initially inspired my stories. So, why not? Daphne did it.
I’ve admittedly only read three of du Maurier’s novels, but her writing resonates with me. Weaving dark tales with beautifully crafted language, she managed to write commercially appealing plots with literary merit—which, in my opinion, is the ideal to aim for. Of the novels I’ve read, my hands-down favorite is Rebecca, which I first experienced through Alfred Hitchcock’s faithful screen adaptation of same name (du Maurier’s novella The Birds was likewise adapted into another not-as-faithful Hitchcock film of same name). A few years ago, a random stroll through Daunt Books in London resulted in leaving with Jamaica Inn in my hands (which takes place at the actual inn in England’s Bodmin Moor), and my return to Daunt soon after for The House on the Strand is what ultimately led me to choose the wee village of Tywardreath (the book’s setting) for my Cornish holiday.
And Tywardreath is where we’ll begin tomorrow as we travel a bit of southern Cornwall to view the inspiration behind du Maurier’s The House on the Strand. Dress warm, pack light, and wear some comfortable walking shoes. 🙂