Word, bird! Shout-out to the feathered friends in my tree for giving a Monkey music to bust a brag to, yo. (Can you tell a square white girl writes this?)
On to the bits and bobs, then. It’s been an eventful couple months on the editing front. My publisher represented for the first time at the London Book Fair in April. International reps visiting our booth clamored for smart contemporary tales but not YA or paranormal, markets they find pretty tapped, at least in Europe and Asia. And a Chinese agent began his criteria with “no sex.” But through random outside conversations, I learned e-published erotica is huge in the Middle East, and on audiobook it goes gangbusters among senior citizens in general…who knew.
In other news, the ongoing debate between traditional and self-publishing amused me as per usual—the mutual bitterness and disdain has not diminished, though they coexisted peacefully enough under the same roof. The big publishers and agents remained aloof, toasting each other in self-congratulation but otherwise totally unapproachable to walk-ins, whereas the non-traditional platforms sowed the seeds of revolution among the plebeians in the Author Lounge. Relative to the States, the UK still seems slow to adapt to both indie and e-publishing, but it’s getting there. At any rate, London is not where the big deals are made; it’s just a primer for Frankfurt in autumn, when publishers are looking to stuff their catalogs for Christmas.
Oh, and I met the publicist of a certain presidential intern of the 1990s. And learned that life is not happy for the “unmarriable and unemployable” thanks to that scandal. Which actually makes me quite sad, considering said president made out relatively okay in the end.
Also during this time, I was promoted, reviewing manuscripts on acceptance to determine whether they’re ready for micro-editing or need to go back to the author first for big-picture revision. In either case, I give the editor/author recommendations on how to more effectively shape the story and its characters. I usually only need to read a manuscript once for this (as opposed to the five-plus times for a deeper edit), maybe twice for a substantial rewrite. And as utter lack of luck would have it, I’m finding that the ones I usually send back for rewrite are previously published authors who seem to be sliding by. Ah well. Another discussion for another day.
But for every bunch of rotten bananas like that, there’s one that’s green and ready to ripen into something sweet indeed. A book I edited in winter has been on Kindle’s Top 100 bestseller list ever since its release this month. It’s made its way to the single digits, topping its categories as well. Yes, yes, truth be told, I am Dan Brown’s editor…okay, no, not really, so I am gobsmacked—and ecstatic for my actual author. Two of the Big Four publishers have already purchased rights to several of our books, so I won’t be surprised if this one follows suit…I just selfishly hope I can edit the sequel first! Meanwhile, I’m developmental editing a sequel for a YA author and paranormal series that I adore (your loss, Europe and Asia!), and think I’ll go on hiatus thereafter to make more time for editorial direction.
So that’s my editing news. My writing news is not nearly as eventful. I did finally finish drafting manuscript #2, but surely we all know revision is only the beginning. The story is partially set in the 1920s, so I had hoped to query by now while Gatsby‘s back in the limelight, but what can ya do. In the meantime, I managed to find a home for one of my short stories, which was actually inspired by one of my early writing prompts on this blog—remember how I used to do that? Anyway, it should appear in an anthology later this summer, so I’ll follow up on that when the time comes…as in, when I know for sure it’s actually happening. Unlike a 9,000-word story of mine that had won 1st place in a 2010 short-story contest and was supposed to be published in an anthology but went homeless after that prospect went bust. No luck finding new shelter so far. One publication said they “were really impressed by the writing” and “enjoyed the different voices and POVs,” but they’re more into flash novels and my tale didn’t have the temporal breadth for that. Fair enough; I’d kinda known that but thought I’d try anyway. 🙂 Then there’s good ol’ novel manuscript #1, which has received a couple more rejections, but while one publisher “just wasn’t excited enough” by it, another said:
This was a near miss. We were intrigued by your proposal, and it seems that the genre and style in which you write match what we are looking for. We would be happy to see more of your work in the future, either when book submissions re-open, or for consideration in future anthologies.
And there ya have it. I’m back up in my tree and making a royal racket in the branches—clearly, more beatboxing animals are in order. Barnyard, cameras on you in three…two…[silent one]: