Tag Archives: National Novel Writing Month

NaNo Nuh-Uh

HAHAHAHAHAHAHAHAHAAAA!!!

Whoa, boy. What’s going on. Has the Monkey finally lost it? Did she ever have it to begin with?

Never fear, my resounding guffaw is simply me laughing in the face of my past self who actually thought she’d be doing NaNoWriMo this year. What? Really? HAHAHAHAHAHAAA! Who did you think you were kidding, girl?

Sad but true, I had to opt out. Again. And it’s killin’ me. But editing duty calls, and I am fully realizing the curse that is the otherwise-blessing of being both a writer and editor. Were I still in finance, shifting from numbers to writing after the workday would’ve been an easy enough if not hugely therapeutic way to decompress (I wish I did write back then). Were I still a teacher, I would admittedly still struggle to balance writing with the day-job like I do now since that’s an occupation where the work never ends, even after that last-period bell has rung. But I still dappled in freewriting and such back then as, again, a therapeutic way to shift gears and do what I love.

But as an editor…I spend all day every day troubleshooting story issues and thinking through different ways to rephrase sentences for other people’s manuscripts, so it’s not exactly a welcome relief to then jump into troubleshooting and thinking through mine. I need a break. I need to get away from the computer. I need to not brainstorm story ideas and sort out developmental stumbling blocks. Often, I don’t even want to read an already-published book because the activity is still too similar to what I do all day—and as it is, what I curl up with at night is usually just another raw manuscript that I’m reading on the Kindle and taking notes on so I can brainstorm its future plan of attack. Yes, that, after working on another story at the computer all day. So the most writing I do these days is in my head while I’m doing something else. It’s just kinda how it has to be, at least for now when I’m up against dueling deadlines.

Anyway. I didn’t mean to make this whole post a primate pity party. I’m so, so lucky to have the work that I do and to still have the ideas and drive to write my own stuff. And if I haven’t been writing anything new, I’ve actually been making good progress revising my original Manuscript #1 this month. And editing other people’s work is always a great way to hedge against mine sucking. I can still live vicariously through other writers’ talent. 🙂

If you’re participating in NaNoWriMo this year, huzzah! Bravo! Keep it up! Don’t lose steam! You’re over halfway there, and crossing the finish line is so sweet. Good job, and write on.

 

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NaNoWriMonkey 2014

Hellooooo! And brrrrrrrrrr! The season has officially shifted—the temps are dropping, the days darkening, and lattes everywhere are getting infused with pumpkin spice whether they like it or not. I can smell Halloween in the air, and the day after that will be…National Novel Writing Month!

Now, I won’t pretend that I’m the most consistent, most winningest NaNoWriMo participant out there, but this year especially, I have a lot to be grateful to this event for. Those who’ve followed me awhile might recall my virgin yet Herculean (if I may say so myself) NaNoWriMo effort in 2011, when I first started in the middle of the month and still met my 50,000 words! The craziest thing about what I churned out over those couple of weeks is that I salvaged most of it as not pure and utter crap—I don’t credit my command of the craft for that so much as the OUTLINE I had going into it. I wasn’t writing purely off the top of my head but with specific plot points in mind for Manuscript #2, which gave me the destination to aim for even if the path I took was allowed to roam (which is really when the magic happens, I think…when you let go and just immerse and write, which leads to tapping into your storyworld so directly you almost feel like you’re just transcribing what already exists, not something you’re creating—see my NaNoWriMo follow-up post for more reflections on that experience).

In any case, what I salvaged from NaNo 2011’s 50,000 words can now be found in the novel that was published this year. So needless to say, I bow down to NaNoWriMo as a worthwhile endeavor no matter how ready or not you are. I’ve been itching to get back in the game ever since and attempted to last year, but I couldn’t knock my editing hat off to wear my writing one for long enough. And, granted, I wasn’t prepared with another WIP outline at that point; in lieu of that, I was going to try my hand at an anthology for all the miscellaneous paranormal ideas I have floating around. I did manage to write almost 8,000 words for one of those stories, which was in response to a call for submissions that had opened at the time. The publisher was looking for urban legend retellings, so I cranked out Bloody Hell, Mary!  It wasn’t accepted and certainly not the best I could do, but I appreciate the practice it gave me as I try to warm up my writing muscles for Manuscript #3…

…which is my NaNoWriMo goal for 2014. I still need to shape my next novel idea into an outline, but I’ve written a crapload of notes and wrote my first chapter yesterday. If I can start to find my groove over the course of October, I’m hoping November will be the month when Manuscript #3 gets officially underway.

And as for dear, sweet Manuscript #1…it’s hangin’ in there. I’ve revamped its opening chapters quite a bit and would like to tighten its second half around a more cohesive story arc. We’ll see. I know she isn’t going anywhere–which is both a relief and just what I’m afraid of. 🙂

All right, gang, so who’s with me? Who’s planning to get NaNoed this year? Write on!


The Lazy Way to Write a Blog Post…

…copy/paste something you’ve already written. 🙂

Okay, so we’ve established by now I’m not the most reliable of bloggers, and now I’m not following through on my promise for this post to be about 1st-person narration. Fact is, I haven’t prioritized time for thoughtfully compiling thoughts/excerpts on that topic, but I will, I will…

What I have been prioritizing lately—FINALLY!—is my second manuscript. I’ve been close to the end for months now, but, just like with my first manuscript, the characters’ voices went quiet. I probably should have pushed through anyway, but I didn’t, and now I’ve got them all screaming in my ear. So, when I have free time (or blow off work to create pseudo-free time), I am writing the rest of my novel. And giving advice to friends to get them started writing theirs!

Which brings me to my lazy post today. The novel-esque email responses I just inundated my dear friend with this week as she prepares for NaNoWriMo as a first-time writer. Here goes:

Q: How do you narrow down an idea? I have a million…

A: [First of all, I thought, “Lucky girl!” It took me ages to generate even one idea for my first manuscript.]

Evaluate each one for how easily you think you could run with one for an entire novel. Do some have nicer complexity than others? Are they more appealing for you to research and live with for a long, long amount of time whereas others you might tire of or not be able to develop very far? And is there just that one that really, really speaks to you from the inside…you can’t get it out of your head, it gets you excited because it’s so original/meaningful/interesting/etc., you can already see the setting and hear the characters, it is THE book you were meant to write?

You can also try writing little vignettes for each idea and see which one takes off, inspires the most possibilities. Foregoing an idea at one time doesn’t mean it can’t be revisited at another, either as another book or as a short story.

That’s always another avenue—write several short stories and compile them in an anthology. With short stories, you can also submit them individually to contests and publications (e.g., magazines, anthologies, e-zines, etc.), which builds a publication history you can cite in your novel’s query letter down the road. It’s a great way to earn credibility. I only wish I could be more prolific that way. 🙂

One blog that I follow is www.milo-inmediares.com. The guy (Milo) is a maniac about writing/submitting stories based on Ray Bradbury’s early discipline of writing and submitting one story a week to get his start. Milo helped create the Write1Sub1 blog, too, to encourage others to write one story a week or month so that, at the end of the year, you have a large collection to work with, not only because getting published is such a numbers game but also to have that accomplishment for yourself. It’s a proper repertoire. Anyway, in either his April 2011 or April 2010 archives, he blogged every day about one new publication to submit stories to, in case you wanted to explore the short story option with all your different ideas.

Regardless of what length you write, just remember every story has an arc: exposition builds to rising action, which reaches climax and descends with falling action toward a resolution. The major climax occurs late in the story (and resolutions shouldn’t be too dragged out). There must be some sense of ongoing internal/external conflict that builds and builds before getting resolved in the end, but minor conflicts along the way help build tension, too—subplot helps add complexity/depth. I’m hoping to blog in the coming month about some stuff on story progression. Oh, and the NaNoWriMo organizers are so awesome—they provide so many great resources and pep talks along the way. It’s such a special experience, and I’m so happy you’re doing it!

Q: So much to take in, I feel far from prepared for this. The issue is I have no actual ideas, I have had no time to even think about them, develop them.

A: [Okay, so I obviously misunderstood her first question, thinking the exact opposite. And, yeesh, leave it to me to overdo it regardless…here was my attempt to backpedal.]

Oh no! I didn’t mean to flood you with info. There are just all sorts of options for wrestling down an idea. How to approach it varies for everyone. It’s really just a matter of what makes you tick.

When I first considered ideas, I didn’t have one to hold on to either. I started with what I loved to read—and that’s a top tip I’ve heard from authors since: write the book you want to read.

So I thought about how I love ghost stories of the Gothic variety, yet also liked the modern edge of supernatural stories like The Time Travelers Wife. I also thought about how whenever I read or watched a ghost story in a book or on film, the story always went a different way than my expectations had hoped for. So then I thought about what consistently caused my disappointment and jotted down in a journal all the elements I would love to see in a story, what, for ME, would be intriguing, atmospheric, and frightening. I just had pages and pages of all this related and random stuff, and then I started to research the topic from different angles and recorded my findings in the journal, too. Then, as slices of story started to occur to me based on what I’d brainstormed/researched and really wanted to feature in the story, slowly but surely the dots started to connect.

And a lot of it comes from just writing it. I told you about subplots before, but sometimes those just occur as you go along. Secondary characters appear out of nowhere because you start to see them or instinctively know that your main characters would meet them in a certain situation or whatever. I at first created this one gal simply to give my protagonist a friend at school as it seemed unnatural for her personality to not at least form an acquaintance. But then as I wrote this other person, suddenly she started behaving oddly and became a mystery unto herself. That was purely spontaneous writing, and then the strategy and planning came in afterwards when I had to determine why she was acting that way, what new role she could play in the overall scheme.

My point is, so much comes to you when you finally just start to write. That’s the spirit of NaNoWriMo—it doesn’t give you time to think about it much; you just have to write and keep going, keep pushing forward and forward and then sort out what you’ve got when you’re done. No one comes out of it with a polished and complete novel. And it might not even be a novel but a free association of ideas that spins off in tangents. The ideas could first come through THAT process, and it could serve as a way of finding your writer’s voice, too, so you can determine what tone to approach your book with.

You just don’t know until you write, so forget what I said for the time being about story arc and outlining and whatnot. Just take what time does come to you on a day to scribble out something. Practice describing your daughter as she plays with something. Write an entire paragraph about her disgusting boogers now that she’s sick! Pretend your house is the setting of a story and describe it for a reader to “see.” Maybe write about a funky dream you recently had. If you get in the habit of writing a little something creative every day, it really warms you up and gets you into a groove. It’s exactly the same thing as exercising, you know? The more you do it, the more energized you feel and the more you want to do it. And just like there’s a runner’s high after pushing past a certain distance, there’s a writer’s one—that’s why I keep harping on this one point: write! If you can tap into that weird mode where it’s almost like the story already exists independent of you and you’re being chosen to tell it (it’s a little haunting but so wild!), you’ll get it and so many inhibitions about the task will drop away.

So what do you think, have I steered her okay? Is it better for a first-time writer to go into it with more structure or less as they find their voice and creative footing? What other advice would you give?


NaNoWriMonkey

Twelve days into November, I made the idiotic decision to first join NaNoWriMo, and ever since, my desk has been a feces-flingin’ factory of writing. Victory seemed improbable but is oh-so sweet for this now official NaNoWriMo-Fo. Reflections on the experience are forthcoming, but for now I really need to take a shower…


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